七夕節(jié)的由來英文版
七夕節(jié)的由來英文版
七夕節(jié)是傳統(tǒng)節(jié)日里面最浪漫的，下面跟著學(xué)習(xí)啦小編看看七夕情人節(jié)由來英文介紹要怎么寫。
七夕節(jié)的由來英文版
The Double Seventh Festival refers to the seventh night of the seventh lunar month. It is a traditional folk festival of the Han people. This night is not only the time when the legendary Cowherd and the Girl Weaver are supposed to have their annual meeting, but also a good opportunity for women to pray for the Girl Weaver for the purpose of seeking dexterity. Therefore, this festival is also named " Maiden's Day", " Daughter's Day". The day is not as well-known as many other Chinese festivals. But almost everyone in China, young or old, is very familiar with the story behind it.
Once upon a time, there lived a poor cowherd, Niulang, whose parents had died long before. He had to live together with his elder brother. Unfortunately, his brother and his sister-in -law were very mean and often treated Niulang very badly. They would not give him enough food to eat, and made him work so hard that he hardly had time to sleep. Finally, they kicked him of their home. All he had in the world were the clothes on his back and an old ox.
Niulang built a small thatched cottage on the side of a mountain. He cut and dug and sweat until he had made a vegetable garden out of the rocky soil. He was often tired and hungry, but always found time to take good care of his old ox. One day, the old ox suddenly began to speak to him. It said that it used to be Taurus, the Golden-Ox Star, in the sky and had been banished by the Lord of Heaven to this world as punishment for its violation of heavenly rule by spreading grain seeds to this world. The old ox told Niulang that the goddesses of Heaven would take a bath in a sacred pond not far from his cottage a few days later. Among them was a beautiful, virtuous and industrious girl whose name is Zhinu, the Girl Weaver. Zhinu was a granddaughter of the King of the Heavenly Kingdom. If the Cowherd took the advantage of their bath in the pond to take away her clothes, she would stay and become his wife.
七夕情人節(jié)指的是農(nóng)歷七月的第七個(gè)夜晚，這個(gè)節(jié)日是漢代傳統(tǒng)的民間節(jié)日。七夕的晚上不僅僅是傳說中的"牛郎"和"織女"一年一度相會(huì)的夜晚，同時(shí)也是為編制姑娘們祈求心靈手巧的好機(jī)會(huì)。因此，七夕節(jié)又叫"乞巧節(jié)"，"女兒節(jié)"。盡管七夕節(jié)不如其它節(jié)日那般流行，但是在中國，男女老少都對(duì)節(jié)日背后的故事相當(dāng)熟悉。
很久以前，有一個(gè)放牛娃名叫牛郎，父母早亡，只好跟著哥哥嫂嫂度日。然而，哥哥嫂子為人狠毒，經(jīng)常虐待他。他們逼牛郎干苦活，不讓他吃飽睡好，最后又把他趕出了家門，牛郎除了身上的衣服和一頭老水牛外，一無所有。
牛郎在山邊搭了間茅草屋，辛勤開墾，在巖石地上挖出了一片菜園，他常常饑腸轆轆，勞累不堪，但把老水牛照顧得好好的。一日，牛突然說話了，它告訴牛郎說自己前身是天上的金牛星，由于違反了天條把糧食種子撒到了人間，天帝將它貶到人間以示懲罰。老牛說，過幾天，天上的仙女會(huì)下凡到離茅草屋不遠(yuǎn)的圣池里游泳，其中有一個(gè)勤勞善良、美麗賢惠的姑娘，名叫織女?？椗翘鞂m中王母娘娘的外孫女，如果牛郎能趁仙女洗澡的時(shí)候把織女的衣服拿走，她就會(huì)留下來作他的妻子。
到了那天，牛郎藏在高大的蘆葦叢里等著。老牛說的話顯靈了，仙女們很快就到了，她們脫掉絲袍跳進(jìn)水里。牛郎偷偷地爬出來，拿起織女的衣服跑開了。仙女們嚇著了，趕快上岸，穿起衣服跑開了，把織女一個(gè)人留在后頭。牛郎跑回來，把衣服還給了織女，他對(duì)織女一見鐘情。兩人相對(duì)而視，織女對(duì)牛郎說要做他的妻子。
兩人結(jié)婚后，牛郎耕田種地，織女紡線織衣，恩恩愛愛?？椗闪诉h(yuǎn)近的名人，她心靈手巧，養(yǎng)蠶紡紗，編錦織緞，樣樣精通。三年后，侄女生了對(duì)龍鳳胎，男孩兒叫"金哥"，女孩兒叫"玉妹"。小兩口日子過得幸福美滿，牛郎織女滿以為能夠終身相守，白頭到老。
一天，?？焖懒?，臨死前說對(duì)小兩口說，將它的皮剝下來放好，有朝一日，披上它，就可飛上天去。牛死后，牛郎心疼地剝下牛皮，小心翼翼地收藏起來。
這時(shí)候，玉皇大帝和王母娘娘聽說孫女到了人間，還結(jié)婚生子，非常生氣，遂下令天神盡快把織女捉回來。
一日，牛郎從地里回來看見孩子們坐在地上哭，忙到織布機(jī)前看，沒人。孩子說，有個(gè)老太太把媽媽抓走了。牛郎記起了老牛對(duì)他說的話，他把孩子放到兩個(gè)籮筐里，披上牛皮，挑起籮筐，突然，他輕如浮云，飛向天空。眼看快追上了，王母娘娘聽到了小孩的哭聲，她朝后一望，從頭上取下金簪，在身后劃了一道，天空中立馬出現(xiàn)一條奔騰的河，這條河就叫天河。天河太寬，河水湍急，牛郎飛不過去，只能看著織女飛走，父子三人哭得揪心裂膽，天帝見此情景，大為感動(dòng)，遂允許牛郎織女每年農(nóng)歷七月初七在天河上鵲橋相會(huì)。
這對(duì)可憐的夫妻變成了星星，牛郎變成了牽牛星，織女成了織女星，把他們分開的河就是銀河。
這個(gè)悲楚動(dòng)人的故事一代代相傳。據(jù)說，七月初七那天，喜鵲很少，因?yàn)樗麄兌家w到銀河上為牛郎織女搭起約會(huì)的橋。由于牛郎和織女在上面站的時(shí)間太長了，次日，這些忠實(shí)的喜鵲頭都變禿了。
在中國，許多人把"七夕節(jié)"當(dāng)成本族的情人節(jié)。
七夕時(shí)常見的傳統(tǒng)習(xí)俗
祭月之儀
夏人的文化里上古遺傳的祭祀月神，多在朔日，即一七、二七，有認(rèn)為盛于漢代的十五祭月，也是對(duì)二七日的小小修正。古時(shí)女子多有祭拜月亮的習(xí)俗，在傳統(tǒng)文化里，月亮始終是女子的祥瑞。她們常常對(duì)月祈愿或傾訴心事。古來自有女子拜月的傳統(tǒng)，尤其是七夕、中秋。貂蟬祭月的傳說大約是最動(dòng)人的畫面了。
穿針乞巧
這是最早的乞巧方式，始于漢，流于后世?！段骶╇s記》說：“漢彩女常以七月七日穿七孔針于開襟樓，人具習(xí)之。”南朝梁宗謀《荊楚歲時(shí)記》說：“七月七日，是夕人家婦女結(jié)彩樓穿七孔外，或以金銀愉石為針。”《輿地志》說：“齊武帝起層城觀，七月七日，宮人多登之穿針。世謂之穿針樓。”五代王仁?！堕_元天寶遺事》說：“七夕，宮中以錦結(jié)成樓殿，高百尺，上可以勝數(shù)十人，陳以瓜果酒炙，設(shè)坐具，以祀牛女二星，妃嬪各以九孔針五色線向月穿之，過者為得巧之侯。動(dòng)清商之曲，宴樂達(dá)旦。土民之家皆效之。”元陶宗儀《元氏掖庭錄》說：“九引臺(tái)，七夕乞巧之所。至夕，宮女登臺(tái)以五彩絲穿九尾針，先完者為得巧，遲完者謂之輸巧，各出資以贈(zèng)得巧者焉。”
投針驗(yàn)巧
這是七夕穿針乞巧風(fēng)俗的變體，源于穿針，又不同于穿針，是明清兩代的盛行的七夕節(jié)俗。明劉侗、于奕正的《帝京景物略》說：“”七月七日之午丟巧針。婦女曝盎水日中，頃之，水膜生面，繡針投之則浮，看水底針影。有成云物花頭鳥獸影者，有成鞋及剪刀水茄影者，謂乞得巧;其影粗如錘、細(xì)如絲、直如軸蠟，此拙征矣。”《直隸志書》也說，良鄉(xiāng)縣(今北京西南)“七月七日，婦女乞巧，投針于水，借日影以驗(yàn)工拙，至夜仍乞巧于織女”請(qǐng)于敏中《日下舊聞考》引《宛署雜記》說：“燕都女子七月七日以碗水暴日下，各自投小針浮之水面，徐視水底日影?；蛏⑷缁ǎ瑒?dòng)如云，細(xì)如線，粗租如錐，因以卜女之巧。”
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