2019年12月14日雅思閱讀機(jī)經(jīng)預(yù)測(cè)
雅思閱讀考試前，我們需要結(jié)合大量的練習(xí)提升自己的閱讀水平，同時(shí)在考試前不到一個(gè)月的時(shí)間就需要更有針對(duì)性的進(jìn)行練習(xí)。接下來小編為大家準(zhǔn)備了2019年12月14日雅思閱讀機(jī)經(jīng)預(yù)測(cè)內(nèi)容，希望能幫助大家在考試前做更全面的準(zhǔn)備。
2019年12月14日雅思閱讀機(jī)經(jīng)預(yù)測(cè)1
文章題目Egypt‘s Sunken Treasures
重復(fù)年份20150509 20120331
題材考古
題型配對(duì) 4+判斷+填空
文章大意埃及一個(gè)古建筑在海底被發(fā)現(xiàn)了，考古學(xué)家拯救海底建筑。
參考閱讀：
The exhibition of Egyptian antiquities currently at the Grand Palais in Paris possesses an international importance comparable in the past 40 years only with the exhibition of Chinese art organised by Beijing at the Petit Palais in 1973. Instead of famous works of art from museums or private collections, it displays a great number of new archaeological discoveries, including some unexpected chef d'oeuvres, all but one unpublished before now. Shown first in Berlin, it has been organised by a French underwater archaeologist, Franck Goddio (Fig. 5), to present the results of well over 10 years of his research along the shores of the Nile delta. [FIGURE 5 OMITTED] During the first millennium AD, several earthquakes and floods between Alexandria and the western mouth of the Nile caused the coastline to sink into the sea along a stretch of some 30 kilometres. ThonisHeraklion, at the end of the Canopic branch of the Nile, and the neighbouring city of Kanopos-East disappeared during the 7th-8th century. The inundation of Alexandria's eastern harbour, called by the Romans Portus Magnus, occurred between the mid 4th and the early 14th centuries AD. Goddio has been assisted by a skilful team drawn from Egypt, France, Germany and elsewhere. But the vision, the will and the tenacity that have kept together the complex machinery of the enterprise are his. Now over 50, Goddio has wide experience of diving in the Pacific and the Atlantic. The results of his long underwater search presented in the Grand Palais are in many ways comparable to the rediscovery of Troy by Schliemann in the 19th century and of Tutankhamun's tomb by Lord Carnarvon and Howard Carter in the 1920s. It is true that among the underwater ruins that he has explored, Goddio has not recovered any gold and silver treasure comparable with the findings of Schliemann and Carter. As far as gold is concerned, the show includes only some coins, earrings, rings, amulets and crosses. However, the discovery under the sea after so many centuries of three ancient ports enables Goddio to take his place not only beside Schliemann and Carter but also...
2019年12月14日雅思閱讀機(jī)經(jīng)預(yù)測(cè)2
文章題目New Zealand Home Textile Craft of 1950s and 1930s
重復(fù)年份20150606 20140405
題材人文社科
題型單選 6+填空 4+判斷 4
文章大意提到了第一本女性雜志，和女性在紡織業(yè)的地位作用。講述了新西蘭以前的 紡織業(yè)和對(duì)現(xiàn)在的影響。
參考閱讀：
Rosemary McCleod has one of this country's largest collections of women's handcrafts. When it was exhibited at the Dowse gallery, almost 40,000 women of all ages came to see it, and the idea for this book was born. In her own words: "My collection began when I held onto items made by women in my own family when they died. I still have items made by my great grandmother, grandmother and my mother. I began collecting other objects about 20 years ago. I found them in thrift shops and bought them because they seemed to tell a story I knew from my own background." In Thrift to Fantasy, Rosemary has used them to brilliant effect, creating a unique social and personal history of their makers - women and girls who dreamed about a life beyond the farm gate and worked those dreams into reality, using the simple materials they had to hand. From rag rugs to felt handbags, from patchwork quilts to sacking aprons, from knitted panties to topsy-turvy dolls, they provide a unique insight into women's art and creativity in a new country learning its own nature. Superbly illustrated with hundreds of examples from the 30s, 40s and 50s and designed by Sarah Maxey, this book is destined to become a classic.
2019年12月14日雅思閱讀機(jī)經(jīng)預(yù)測(cè)3
文章題目Sweet Trouble–Australia sugarcane industry
重復(fù)年份20150613 20131010 20110813 20090521
題材農(nóng)業(yè)
題型人名配對(duì) 4+判斷 6+選擇 3
文章大意澳大利亞的制糖工業(yè)面臨危機(jī)，政府鼓勵(lì)以前從事糖業(yè)的人從事其他行業(yè)。 但許多人不愿放棄，他們認(rèn)為制糖環(huán)保，有很多好處如保持水土。很多人為制糖修建水渠，但并沒有很好的收益，制糖業(yè)終會(huì)消失。
部分參考答案
配對(duì)題
甘蔗對(duì)環(huán)境的影響沒有那么大了。
甘蔗對(duì)環(huán)境的影響沒有別的農(nóng)作物嚴(yán)重。
判斷題
種甘蔗的成本和賣出的收益差不多。True
放棄種甘蔗的人去城市里了。NG
在甘蔗行業(yè)里，用甘蔗用作能源是將來的房展方向。False
選擇題
因?yàn)榻?jīng)濟(jì)危機(jī)的影響，所以不種甘蔗了。
某個(gè)農(nóng)民一直沒有放棄種甘蔗
文章題目The Grimme Fairy Tale
重復(fù)年份20150704 20140313
題材文學(xué)
題型判斷 6+單選 4+選詞填空 4
文章大意闡述了格林童話的出版歷史。格林兄弟寫下這些童話的靈感來源，不同時(shí)期 外界對(duì)于格林童話的反應(yīng)以及格林童話的第一版和再版變化。
部分答案參考： 判斷：
27. N the Grimme brother knew they would gain international fame, the lasting fame would shock the Grimmes
28. NG the Grimmes were inforced to do work of their own secret
29. Y the sales of Fairy Tale in England was higher than in German
30. NG
31. Y some parents still thought the Fiary Tale was not good for their children
32. N the fairy Tale author considered the man who made contribution to the story
of Cinderella as the original model
單選：
33.
A the flowering of children literature level in 1800s
34. A illustration the change of Fairy Tale in order to match with the modern times (refining & resoftening)
35. C
36. D another contributor of the Fiary Tale in Italy
填空：
37. F the reason why some people think the Fairy Tale belongs to German
38. H some violent stories
39. E
40. D
用分級(jí)法講述雅思閱讀考試技巧
考過雅思的同學(xué)都知道，雅思閱讀考試憑蠻力取得高分是有難度的，因此，掌握一些簡單的答題技巧能幫助我們更好的解題，由于在雅思的考試中，時(shí)間是十分緊張的，考生需學(xué)會(huì)如何控制答題時(shí)間，并且將文章分級(jí)別閱讀，下面就為大家具體介紹一下用雅思閱讀考試技巧。
根據(jù)長期的觀察，可以把雅思閱讀的文章按照難度從低到高排列分為1，2，3三個(gè)等級(jí)。難度最低的1級(jí)文章90%以上的題目答案都在每一段的“3句”(第一句，第二句，最后一句)范圍之內(nèi)，因此只要把文中每一段的“3句”讀完就能找到絕大多數(shù)題目的答案，而且可以很快!難度為2級(jí)的文章則是70%的題目答案在每段的“3句”范圍中，剩下30%的題目答案則必須借助定位關(guān)鍵詞等技巧在文中其它部分尋找。難度最高的3級(jí)文章最“恐怖”，在這種類型的文章中你會(huì)發(fā)現(xiàn)光看每一段的“3句”根本找不到任何題目的答案，絕大多數(shù)題目的答案都隱藏在文中中及其不起眼的角角落落。定位關(guān)鍵詞?對(duì)不起，你會(huì)發(fā)現(xiàn)題目當(dāng)中你根本找不到任何關(guān)鍵詞給你定位!也就是說，在3級(jí)難度的閱讀文章里，你會(huì)發(fā)現(xiàn)基本上所有的閱讀技巧都不管用了。
根據(jù)觀察，雅思閱讀文章的命題有一個(gè)規(guī)律，即必須保證每次考試總體難度系數(shù)相當(dāng)。具體來說，如果按照上面所講的1，2，3三個(gè)難度等級(jí)來分的話，每次的閱讀考試三篇文章總的難度系數(shù)一定等于5!這就意味著考官可以把三篇文章設(shè)定為1+2+2模式，即第一篇文章最簡單，第二第三篇稍難?；蛘呤?+1+3模式，即兩篇送分的文章和一篇噩夢(mèng)級(jí)難度的超難文章。
2019年12月14日雅思閱讀機(jī)經(jīng)預(yù)測(cè)相關(guān)文章：
2019年12月14日雅思閱讀機(jī)經(jīng)預(yù)測(cè)
