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      學(xué)習(xí)啦>學(xué)習(xí)英語(yǔ)>英語(yǔ)閱讀>英語(yǔ)詩(shī)歌>

      關(guān)于適合朗誦的英文詩(shī)

      時(shí)間: 韋彥867 分享

        英語(yǔ)詩(shī)歌文學(xué)意境和音樂(lè)意境豐富性的特點(diǎn)決定了詩(shī)歌教學(xué)要借助諸多手段引導(dǎo)學(xué)生品味詩(shī)歌的意境,產(chǎn)生共鳴。學(xué)習(xí)啦小編整理了關(guān)于適合朗誦的英文詩(shī),歡迎閱讀!

        關(guān)于適合朗誦的英文詩(shī)篇一

        Scrapbook

        Kim Addonizio

        This is me, depressed out of my mind,

        frailing the banjo, spilling red wine

        on the white

        king-sized

        luckily-hotel's-and-not-my-

        goose down comforter, this is me

        walking and waxing nostalgic through the girlish shadows

        of tall palm trees, the déjà vus

        flying through the scene

        suddenly, like those three

        unnameable and therefore beautiful white birds.

        This is me as a slowly-tearing-itself-apart cloud

        and marveling

        at a fire palely and flamily

        emerging from a bowl, wavering

        up through stones of cobalt glass. The air

        wavers back. This is me in love

        with the beauty of blue glass in flames, this is me on drugs

        prescribed by my doctor

        as I try once more

        to sneak into night's closely guarded city,

        my hollow horse ready

        to wreak my demons and Blue Morphos

        on the citizens of my sleep. I am most

        myself when flashing rapidly

        my iridescent wings, drinking

        the juice of fallen fruit. Then again

        look for me under your bed

        where the ugly premodern vampires

        still hide. The undead and I are lying

        in wait. We are very interested in you

        though this is still me. We are unstable and true.

        We believe in the one-ton rose

        and the displaced toilet equally. Our blues

        assume you understand

        not much, and try to be alive, just as we do,

        and that it may be helpful to hold the hand

        of someone as lost as you.

        關(guān)于適合朗誦的英文詩(shī)篇二

        Semblance: Screens

        Liz Waldner

        A moth lies open and lies

        like an old bleached beech leaf,

        a lean-to between window frame and sill.

        Its death protects a collection of tinier deaths

        and other dirts beneath.

        Although the white paint is water-stained,

        on it death is dirt, and hapless.

        The just-severed tiger lily

        is drinking its glass of water, I hope.

        This hope is sere.

        This hope is severe.

        What you ruin ruins you, too

        and so you hope for favor.

        I mean I do.

        The underside of a ladybug

        wanders the window. I wander

        the continent, my under-carriage not as evident,

        so go more perilously, it seems to me.

        But I am only me; to you it seems clear

        I mean to disappear, and am mean

        and project on you my fear.

        If I were a bug, I hope I wouldn't be

        this giant winged thing, spindly like a crane fly,

        skinny-legged like me, kissing the cold ceiling,

        fumbling for the face of the other, seeking.

        It came in with me last night when I turned on the light.

        I lay awake, afraid it would touch my face.

        It wants out. I want out, too.

        I thought you a way through.

        Arms wide for wings,

        your suffering mine, twinned.

        Screen. Your unbelief drives me in,

        doubt for dirt, white sheet for sill --

        You don't stay other enough or still

        enough to be likened to.

        關(guān)于適合朗誦的英文詩(shī)篇三

        Thick Description

        Eleanor Chai

        I cut lines of ink as I read through the night.

        I imagine the margins on pages are slim wings

        between plankton and stars. I find what I need

        in far sources. I make them intimate,

        I make them mine with the speed of light.

        He was seventeen, just a man, still a boy and ready to die.

        A true sacrifice, a living encounter --

        This father has paid

        the sum of a daughter's dowry for his son to be consecrated

        with a rod through his cheeks and tongue. The boy's face,

        his mouth pierced and gaping, hangs on the page, helpless.

        His clove-jelly eyes float and metamorphose into my mother's

        eyes, eyes I can't possibly remember without images like his --

        images forbidden, seized and smuggled into my life.

        I can make anything mean what I need to find.

        The stolen scrap, the plosive glance saturated in

        longing is not looking at me: I am looking at it.

        Every description is thick with a will to revivify --

        reclaim, renounce, rename what is sought.

        Blind hunger drives when I read. A scream, the echo of

        a scream, hangs over that Nova Scotian village ... and bit

        by bit a village I've never seen swells into me. The ovoid

        mouth of my mother's life, its slivering silence exists

        in that scream -- unheard, in memory. She came alive

        forever -- not loud, just alive forever redeemed from her never

        with no speech. A noun transformed to modify

        action revived her, returned her to me.

        The words as they lay may refuse to say what you need.

        Drop to your knees. Crawl beneath the overhanging,

        the dangling down. Stroke the described,

        from underneath. It reeks of the atavistic

        to live. It survives by swallowing.

        
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